Katie Lewis
    Education:

  • MFA, Fine Arts, California College of the Arts, San Francisco, CA, 2006
  • BA, Studio Art, Colorado College, Colorado Springs, CO, 1999
  • Universidad de Concepcion, Chile, 1997-98
      Selected Exhibitions:

      • 2017
      • TBD (two person exhibition), Pennsylvania College of Art and Design, Lancaster, Pennsylvania
      • 2016
      • Tilting the Basin: Contemporary Art of Nevada, Nevada Museum of Art, Reno, Nevada
      • ARAK MONKYZ – Reflections on Synthetic Action, Anderson Ranch Arts Center, Snowmass Village, Colorado
      • 2016 Grants to Artists: No Strings Attached, Sierra Arts Foundation, Reno, Nevada
      • 2015
      • And Yet It Turns: Art and Technology, a Shared Space, Museum of Modern Art Luxembourg (Mudam Luxembourg), Luxembourg City, Luxembourg
      • Rijswijk Textile Biennial 2015, Museum Rijswijk, Rijswijk, The Netherlands
      • Divergence (solo exhibition), Capital City Arts Initiative, Carson City, Nevada
      • 2014
      • Lifeloggers: Chronicling the Everyday, Elmhurst Art Museum, Elmhurst, IL
      • Lifeloggers: Chronicling the Everyday, Perlman Teaching Museum, Carleton College, Northfield, IL
      • 2013
      • Theory Loves Practice, Center for Visual Art, Metropolitan State University of Denver, Denver, CO
      • Points of Flux (two person exhibition, collaboration with Rick Parsons), Sierra Nevada College, Incline Village, NV
      • 2012
      • We’re All Here Because We’re Not All There: Barclay Simpson Award 25th Anniversary, California College of the Arts, Oliver Arts Center, Oakland, CA
      • Process of Accumulation (solo exhibition), Sierra Nevada College, Incline Village, NV
      • 2010
      • By a Thread, San Jose Institute of Contemporary Art, San Jose, CA
      • Depth of Surface, San Francisco State University, Fine Arts Gallery, San Francisco, CA
      • 2009
      • From the Celestial Latitude of 45 degrees, Ending at Longitude 60 degrees, Patricia Sweetow Gallery, San Francisco, CA
      • Proliferous Precisions, Propeller, San Francisco, CA
      • 2008
      • Expanding, Stanford University, Stanford, CA
      • Pragmatic Terrain (two person exhibition), Art Center/ South Florida, Miami, FL
      • Juried @ BAC, Berkeley Art Center, Berkeley, CA; juried by Catherine Clark of Catherine Clark Gallery & Joanne Northrup, Chief Curator at the San Jose Museum of Art
      • Parallel Evidence (solo exhibition), Basil Racuk, Berkeley, CA
      • Hate Log (two person exhibition), Cell Space, San Francisco, CA
      • Who’s the Fairest of them All? Women Artists Considering Social Justice in the Everyday, Hang Annex, San Francisco, CA
      • 2007
      • Introductions 3, Irvine Contemporary, Washington D.C.
      • Threads, Johansson Projects, Oakland, CA
      • Indefinite Proliferation (solo exhibition), The Lab, San Francisco, CA
      • Systems and Transmutations, Root Division, San Francisco, CA
      • Time Lines, Mina Dresdin Gallery, San Francisco, CA
      • X Marks the Spot, Southern Exposure, San Francisco, CA
      • 2006
      • Peripheries of Narrative, Patricia Sweetow Gallery, San Francisco, CA
      • Barclay Simpson Award Exhibition (two person exhibition), California College of the Arts, Oliver Arts Center, Oakland, CA
      • Cream: From the Top, Arts Benicia, Benicia, CA
      • MFA Thesis Exhibition, California College of the Arts, San Francisco, CA
      • 2005
      • Visual Scholars: New School, Up and Coming Southern California Artists, Santa Ana College, Santa Ana, CA
      • 2004
      • Resident Artist Exhibition, Anderson Ranch Arts Center, Snowmass Village, CO
      • Conversations: In Color, Aspen Chapel Gallery, Aspen, CO
      • 2003
      • The Eclectic Collection, Red Brick Arts Center, Aspen, CO
      • 2002
      • Aspen Art Museum: Instructor Exhibition, Red Brick Arts Center, Aspen, CO

Awards, Grants & Residencies:

      • Sierra Arts Foundation Grant, Reno, NV 2016
      • Artist in Residence, Anderson Ranch Arts Center, Snowmass Village, CO 2015
      • Pollock Krasner Grant, The Pollock Krasner Foundation, New York, NY, 2010
      • The Drawing Center Viewing Program, The Drawing Center, New York, NY, 2009
      • Barclay Simpson Award, Outstanding Graduate Work, California College of the Arts, San Francisco, CA, 2006
      • Artist in Residence, Anderson Ranch Arts Center, Snowmass Village, CO, 2003
      • Artist in Residence, Anderson Ranch Arts Center, Snowmass Village, CO, 2002
      • Cum Laude, Colorado College, Colorado Springs, CO, 1999

Visiting Artist Lectures:

      • Arts Educators Conference of Nevada, Reno, NV 2016
      • Nevada Museum of Art, Reno, NV, 2016
      • Sonoma State University, Sonoma, CA, 2013
      • Sierra Nevada College, Incline Village, NV, 2012
      • Truckee Meadows Community College, Reno, NV, 2012
      • Stanford University, Stanford, CA, 2008
      • California College of the Arts, Oakland, CA, 2008

Publications, Reviews & Features:

    • Eppur Si Muove: Art Et Tecnique, un Espace PartagĂ©, Mudam Luxembourg, 2015
    • Rijswijk Textile Biennale, Museum Rijswijk, 2015
    • Theory Loves Practice, Center for Visual Art, Metropolitan State University of Denver, 2013
    • Pocket Notes, Volume 1, Issue 2, 2012
    • Celebrating 25 Years of the Barclay Simpson Award, California College of the Arts, 2012
    • 7×7, March 2012
    • HeyBillie Magazine, February 2012
    • Skepsi, United Kingdom, Volume 5, Issue 1, 2012
    • Nisha Magazine, Israel, December 2011
    • Glamcult, Netherlands, October 2011
    • Colossal, July 2011
    • Artdaily, January 2010
    • Rosenberg and Grafton, Cartographies of Time. Princeton Architectural Press, 2010
    • Harmon, Katherine, The Map as Art: Contemporary Artists Explore Cartography. Princeton Architectural Press, 2009
    • Vikram, Anuradha, “Thread.” Artillery, September/ October 2007
    • Klein, Barbara, “Looking for the Best in a Fresh Crop of Graduates from Art School.” Voice of America, September 2007
    • Turner, Cherie Louise, “‘Cream’ at Arts Benicia.” Artweek, October 2006
    • Binshtock, Avital, “Art School Confidential.” Lifescapes Magazine, October 2006
    • Whiteside, Amber, “‘Peripheries of Narrative’ at Patricia Sweetow Gallery.” Artweek, September 2006
    • Arcibal, Irman, “Heavy Cream.” Listen & Be Heard, August 2006
    • Fernandez, Josh, “Cream.” Benicia Herald, 13 July 2006
    • Helfand, Glen, “San Francisco Critics’ Picks: ‘Peripheries of Narrative.'” Artforum, Critics’ Picks, 20 June 2006
    • Swanhuyser, Hiya, “The Art of the Back Story.” SF Weekly, 14 June 2006
    • Eleven Eleven Journal of Literature & Art, Volume 2, 2005

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